Bregenzer Festspiele
(2910 Reviews)

Lindau

Platz d. Wr. Symphoniker 1, 6900 Bregenz, Österreich

Bregenz Festival | Tickets 2026 & Seating Plan

The Bregenz Festival is one of the most distinctive open-air opera events in Europe. On the famous lake stage at Lake Constance, grand musical theater, spectacular stage designs, and the play of the elements merge into an unmistakable experience. In 2026, the festival will celebrate its 80th anniversary and will present Giuseppe Verdi's La Traviata on the lake stage for the first time – a milestone that continues the tradition of monumental lake productions while also setting a new accent. The festival period runs from July 22 to August 23, 2026. The lake seating accommodates around 6,700 spectators; in case of unfavorable weather, the performance can be moved to the adjacent covered festival hall, where certain ticket categories (house tickets) allow for indoor continuation. The lake spectacle is complemented by operas, concerts, and theater on other stages of the area, including the festival hall and workshop stage. Thanks to its central location by the shore, accessible train connections, and designated large parking areas, getting there is straightforward. Those who wish to round off the experience in style will find a selection of lounge and premium offers as well as arrangements with boat transfers and selected hotel partners. This page consolidates the most important information regarding tickets, seating plans, dates, access, parking, stage design, and popular package deals for the cultural summer at Lake Constance.

Tickets 2026: Sales, Categories, and Seating Plan

For 2026, tickets for La Traviata on the lake stage as well as other productions in the festival hall and on side stages are available. Advance sales are online 24/7; additionally, the ticket center of the Bregenz Festival is open on weekdays outside the season and is accessible daily during the festival period. The lake stage is divided into several price and visibility categories: in addition to premium and lounge areas, there are regular categories 1 to 7. Categories 1 and 2 include particularly good sightlines in the central middle block as well as selected, slightly lateral premium sight areas; they are also considered house tickets valid for indoor continuation in the festival hall in case of a weather-related relocation. Categories 3 to 7 are lake tickets, which are exclusively intended for the performance on the lake stage. The seating plan follows a rising tier architecture with clear orientation towards the water stage; the more central and further forward, the more direct the view of the stage, projections, and the performance locations installed on the water. Lateral blocks, on the other hand, offer a broad perspective on the interplay of stage, lake, and lighting. The total capacity of the lake stage is around 6,700 seats; in the festival hall, additional seats are available for indoor performances in the main hall. For guests who desire a complete experience, lounge arrangements combine paid additional services such as reserved parking within walking distance, a backstage tour, a multi-course festival dinner, covered and cushioned seats, and a farewell drink. These offers are also designed as house tickets. Tip for seat selection: Those who appreciate unique image compositions between stage and natural backdrop will find themselves ideally placed in the central middle block; those who love the overall panorama will often find impressive expanses of view in the slightly lateral seats. Due to the open-air situation, weather-appropriate clothing is recommended; umbrellas are not allowed out of consideration for sightlines.

Dates 2026 and Program: La Traviata on the Lake Stage

The 80th festival season runs from July 22 to August 23, 2026. The premiere of the lake production La Traviata is on July 22, 2026. Directed by Damiano Michieletto, the stage design is by Paolo Fantin. Musically, the production is led by Kirill Karabits and Pietro Rizzo. On stage, Verdi's masterpiece unfolds in a setting of the story in the 1920s – with glamour, excess, and the tragic core around Violetta Valéry. In addition to the lake stage opera, the festival hall will present the premiere of Leoš Janáček's The Excursions of Mr. Brouček on July 23, 2026, in a production by Yuval Sharon under the musical direction of Robert Jindra. Among the special program highlights of the anniversary year is the sing-along at the lake on August 1, 2026: The lake seating will transform that evening into a large, collective sound body, conducted by Steven Moore and supported by an ensemble of soloists and choirs. The range of the program selection in 2026 spans opera, orchestral evenings, chamber music, drama, and the Young Festival, which introduces young people directly to musical theater through workshops, the opera studio, and its own children’s and youth program. The Burgtheater from Vienna will guest with Molière's The Imaginary Invalid starting July 24, 2026, at the Theater am Kornmarkt. A large-format photo exhibition along the lakeside promenade will accompany the festival summer from June 13 to August 23, 2026, inviting visitors to reflect on 80 years of lake productions – freely accessible in public space. The lake performances usually begin at dusk: in July, mostly around 9:15 PM, in August around 9:00 PM; performances last about two hours without a break. Visitors should therefore consider the evening chill by the lakeside and plan for a light wind or rain jacket.

Access & Parking: How to Reach the Lake Stage and Festival Hall

The festival area is located on the Bregenz lakeshore near the A14 exit Bregenz and is easily accessible by train, bus, boat, and car. The lake stage and festival hall can be reached within a few minutes on foot from Bregenz train station; the footpath is flat and well signposted. For those arriving by car, several large parking lots are available in the city center and around the festival area. A city parking guidance system reliably leads to available parking spaces from the entrances. Particularly relevant are the East and West parking lots near the festival hall, which are subject to charges during the day and in the evening; the daily rate is about €9.90. For safety reasons, direct access to the main entrance is not possible, as emergency routes must always be kept clear. Accessible parking spaces can be found at the East parking lot, about 200 meters from the main entrance; due to the limited number, early arrival is recommended. During the festival period, there are also boat transfers and shuttle services that particularly start from the German Lake Constance towns. In Lindau, festival shuttles operate by boat, and from Constance or Friedrichshafen, Bodensee-Schiffsbetriebe GmbH offers festival cruises that include round trips and, depending on the package, a menu. The travel times are coordinated so that arrival occurs in time before the performance begins; after the performance, the return is immediate. For those who prefer to arrive by plane, Bregenz can be reached via the nearby airports of St. Gallen–Altenrhein, Friedrichshafen, and Zurich; from there, train and shuttle connections are available. For the last mile, the lakeside path and the signage on the festival grounds are crucial – staff will guide the way to the entrances of the lake stage and the festival hall.

Stage Design 2026 and Special Features of the Performance on the Lake

For decades, the monumental stage designs, renewed every two years, have been the trademark of the Bregenz Festival. In 2026, director Damiano Michieletto relocates the action of La Traviata to the roaring 1920s; set designer Paolo Fantin develops a visual world that translates glamour and transience, glitter and inner emptiness into strong, filmically conceived tableaux. The open performance on the water, the large-scale objects, and the creative use of the lake create images that unfold their effect in interplay with light, projection, and pyrotechnics. Musically, the direction is by Kirill Karabits and Pietro Rizzo. Traditionally, the lake productions utilize the natural acoustics of the shore and an elaborate sound system to ensure that even in the upper tiers, a transparent, locatable sound is produced. The technical team plans not only the stage architecture for the lake performance but also logistics, safety, and weather scenarios – from wind to precipitation to temperature fluctuations. Especially on days with changeable weather, the festival communicates the current status via loudspeaker announcements; the start may be delayed to ensure that the performance can take place on the lake as much as possible. If relocation does occur, the festival hall presents a semi-staged version that preserves the musical core and focuses on the singers and orchestra. This flexibility is part of the special character of the Bregenz Festival: The outdoor experience with Lake Constance as a player is responsibly combined with safety and artistic quality. For the anniversary season, a curated open-air photo exhibition also makes the visual history of the lake stage designs from 1946 to the present visible along the Bregenz lakeside promenade – an ideal start before the opera visit or a atmospheric conclusion after an evening by the lake.

Arrangements, Hotel & Boat as well as Bus Trips

In addition to regular ticket sales, there is a variety of arrangements that combine the performance visit with culinary and tourist components. The festival lounge consolidates services on the grounds such as reserved parking within walking distance, aperitif, backstage tour, four-course menu, covered premium seats, rental binoculars, and a conclusion with a farewell drink – and remains valid as a house ticket in the festival hall in case of a lake cancellation. Around Lake Constance, shipping companies complement the offer: The Bodensee-Schiffsbetriebe (BSB) operates festival cruises with the MS Graf Zeppelin from Constance and Friedrichshafen on selected dates. Depending on the package, a menu before the performance and a midnight soup on the return trip are included; in case of cancellation on the lake, the ship returns immediately, while for indoor continuation in the festival hall, the independent return journey is the responsibility of the guests with house tickets. From Lindau, festival shuttles operate, and the historic paddle steamer Hohentwiel offers an exclusive arrangement with a multi-course festival menu. Swiss partners are also involved: For example, the Bad Horn Hotel & Spa combines the arrival and return with the motor yacht Emily, dinner on board, and lake tickets in top categories; dates are announced seasonally and are often booked out early. Additionally, bus tour operators in Germany, Austria, and Switzerland offer packages with hotel overnight stays, programs around Lake Constance, and guaranteed lake tickets – a comfortable way to combine the opera evening with excursions in the region. Availability varies depending on the date and category; those considering specific dates such as the premiere, the sing-along at the lake, or weekend evenings should book early. In general, arrangements bundle convenience but require some time buffer before and after the performance due to fixed schedules. Individual arrivals can be easily combined with separately purchased tickets – thanks to dense train connections, footpaths, and parking guidance systems.

Bad Weather Rule, Accessibility & Service

The special feature of the performance on the lake is the promise to play outdoors. The decision whether to start, delay, or relocate to the lake is made shortly before the start based on current weather data; guests are informed via loudspeaker announcements. In case of relocation to the festival hall, a distinction is made between house tickets (premium/loge, categories 1 and 2) and lake tickets (categories 3–7): House tickets entitle the holder to see the semi-staged version in the festival hall if less than 90 minutes were played at the lake. Lake tickets are valid only for the lake performance; in case of cancellation or interruption, the communicated refund regulations apply. For people with mobility impairments, targeted improvements have been implemented in recent years: both on the lake stage and in the main hall, there are additional wheelchair spaces, elevators, accessible restrooms, and a tactile guidance system in the foyer. Additionally, a wireless assistive listening system with around 100 receivers is available in the festival hall's performance venues. Service hours: Outside the season, the ticket center is open on weekdays, while during the festival, it is open daily; the box offices at the performance venues usually open at 5:00 PM or one hour before the performance begins. Practical tips for the evening: Since the opera on the lake begins at dusk and is performed without a break, it is worthwhile to allow enough time for arrival, entry, and a snack beforehand. Warm clothing, a seat cushion, and – depending on the weather – a rain poncho increase comfort; umbrellas are prohibited due to sightlines. Those arriving by car should ideally use the signposted large parking lots and follow the guidance system; the main entrance must always remain clear for safety reasons. For visitors who wish to delve deeper into the anniversary year, the free exhibition along the lakeside promenade from June 13 to August 23, 2026, offers a historical tour through eight decades of lake stage designs – perfect for experiencing the magic of La Traviata in the broader context of festival history.

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Bregenz Festival | Tickets 2026 & Seating Plan

The Bregenz Festival is one of the most distinctive open-air opera events in Europe. On the famous lake stage at Lake Constance, grand musical theater, spectacular stage designs, and the play of the elements merge into an unmistakable experience. In 2026, the festival will celebrate its 80th anniversary and will present Giuseppe Verdi's La Traviata on the lake stage for the first time – a milestone that continues the tradition of monumental lake productions while also setting a new accent. The festival period runs from July 22 to August 23, 2026. The lake seating accommodates around 6,700 spectators; in case of unfavorable weather, the performance can be moved to the adjacent covered festival hall, where certain ticket categories (house tickets) allow for indoor continuation. The lake spectacle is complemented by operas, concerts, and theater on other stages of the area, including the festival hall and workshop stage. Thanks to its central location by the shore, accessible train connections, and designated large parking areas, getting there is straightforward. Those who wish to round off the experience in style will find a selection of lounge and premium offers as well as arrangements with boat transfers and selected hotel partners. This page consolidates the most important information regarding tickets, seating plans, dates, access, parking, stage design, and popular package deals for the cultural summer at Lake Constance.

Tickets 2026: Sales, Categories, and Seating Plan

For 2026, tickets for La Traviata on the lake stage as well as other productions in the festival hall and on side stages are available. Advance sales are online 24/7; additionally, the ticket center of the Bregenz Festival is open on weekdays outside the season and is accessible daily during the festival period. The lake stage is divided into several price and visibility categories: in addition to premium and lounge areas, there are regular categories 1 to 7. Categories 1 and 2 include particularly good sightlines in the central middle block as well as selected, slightly lateral premium sight areas; they are also considered house tickets valid for indoor continuation in the festival hall in case of a weather-related relocation. Categories 3 to 7 are lake tickets, which are exclusively intended for the performance on the lake stage. The seating plan follows a rising tier architecture with clear orientation towards the water stage; the more central and further forward, the more direct the view of the stage, projections, and the performance locations installed on the water. Lateral blocks, on the other hand, offer a broad perspective on the interplay of stage, lake, and lighting. The total capacity of the lake stage is around 6,700 seats; in the festival hall, additional seats are available for indoor performances in the main hall. For guests who desire a complete experience, lounge arrangements combine paid additional services such as reserved parking within walking distance, a backstage tour, a multi-course festival dinner, covered and cushioned seats, and a farewell drink. These offers are also designed as house tickets. Tip for seat selection: Those who appreciate unique image compositions between stage and natural backdrop will find themselves ideally placed in the central middle block; those who love the overall panorama will often find impressive expanses of view in the slightly lateral seats. Due to the open-air situation, weather-appropriate clothing is recommended; umbrellas are not allowed out of consideration for sightlines.

Dates 2026 and Program: La Traviata on the Lake Stage

The 80th festival season runs from July 22 to August 23, 2026. The premiere of the lake production La Traviata is on July 22, 2026. Directed by Damiano Michieletto, the stage design is by Paolo Fantin. Musically, the production is led by Kirill Karabits and Pietro Rizzo. On stage, Verdi's masterpiece unfolds in a setting of the story in the 1920s – with glamour, excess, and the tragic core around Violetta Valéry. In addition to the lake stage opera, the festival hall will present the premiere of Leoš Janáček's The Excursions of Mr. Brouček on July 23, 2026, in a production by Yuval Sharon under the musical direction of Robert Jindra. Among the special program highlights of the anniversary year is the sing-along at the lake on August 1, 2026: The lake seating will transform that evening into a large, collective sound body, conducted by Steven Moore and supported by an ensemble of soloists and choirs. The range of the program selection in 2026 spans opera, orchestral evenings, chamber music, drama, and the Young Festival, which introduces young people directly to musical theater through workshops, the opera studio, and its own children’s and youth program. The Burgtheater from Vienna will guest with Molière's The Imaginary Invalid starting July 24, 2026, at the Theater am Kornmarkt. A large-format photo exhibition along the lakeside promenade will accompany the festival summer from June 13 to August 23, 2026, inviting visitors to reflect on 80 years of lake productions – freely accessible in public space. The lake performances usually begin at dusk: in July, mostly around 9:15 PM, in August around 9:00 PM; performances last about two hours without a break. Visitors should therefore consider the evening chill by the lakeside and plan for a light wind or rain jacket.

Access & Parking: How to Reach the Lake Stage and Festival Hall

The festival area is located on the Bregenz lakeshore near the A14 exit Bregenz and is easily accessible by train, bus, boat, and car. The lake stage and festival hall can be reached within a few minutes on foot from Bregenz train station; the footpath is flat and well signposted. For those arriving by car, several large parking lots are available in the city center and around the festival area. A city parking guidance system reliably leads to available parking spaces from the entrances. Particularly relevant are the East and West parking lots near the festival hall, which are subject to charges during the day and in the evening; the daily rate is about €9.90. For safety reasons, direct access to the main entrance is not possible, as emergency routes must always be kept clear. Accessible parking spaces can be found at the East parking lot, about 200 meters from the main entrance; due to the limited number, early arrival is recommended. During the festival period, there are also boat transfers and shuttle services that particularly start from the German Lake Constance towns. In Lindau, festival shuttles operate by boat, and from Constance or Friedrichshafen, Bodensee-Schiffsbetriebe GmbH offers festival cruises that include round trips and, depending on the package, a menu. The travel times are coordinated so that arrival occurs in time before the performance begins; after the performance, the return is immediate. For those who prefer to arrive by plane, Bregenz can be reached via the nearby airports of St. Gallen–Altenrhein, Friedrichshafen, and Zurich; from there, train and shuttle connections are available. For the last mile, the lakeside path and the signage on the festival grounds are crucial – staff will guide the way to the entrances of the lake stage and the festival hall.

Stage Design 2026 and Special Features of the Performance on the Lake

For decades, the monumental stage designs, renewed every two years, have been the trademark of the Bregenz Festival. In 2026, director Damiano Michieletto relocates the action of La Traviata to the roaring 1920s; set designer Paolo Fantin develops a visual world that translates glamour and transience, glitter and inner emptiness into strong, filmically conceived tableaux. The open performance on the water, the large-scale objects, and the creative use of the lake create images that unfold their effect in interplay with light, projection, and pyrotechnics. Musically, the direction is by Kirill Karabits and Pietro Rizzo. Traditionally, the lake productions utilize the natural acoustics of the shore and an elaborate sound system to ensure that even in the upper tiers, a transparent, locatable sound is produced. The technical team plans not only the stage architecture for the lake performance but also logistics, safety, and weather scenarios – from wind to precipitation to temperature fluctuations. Especially on days with changeable weather, the festival communicates the current status via loudspeaker announcements; the start may be delayed to ensure that the performance can take place on the lake as much as possible. If relocation does occur, the festival hall presents a semi-staged version that preserves the musical core and focuses on the singers and orchestra. This flexibility is part of the special character of the Bregenz Festival: The outdoor experience with Lake Constance as a player is responsibly combined with safety and artistic quality. For the anniversary season, a curated open-air photo exhibition also makes the visual history of the lake stage designs from 1946 to the present visible along the Bregenz lakeside promenade – an ideal start before the opera visit or a atmospheric conclusion after an evening by the lake.

Arrangements, Hotel & Boat as well as Bus Trips

In addition to regular ticket sales, there is a variety of arrangements that combine the performance visit with culinary and tourist components. The festival lounge consolidates services on the grounds such as reserved parking within walking distance, aperitif, backstage tour, four-course menu, covered premium seats, rental binoculars, and a conclusion with a farewell drink – and remains valid as a house ticket in the festival hall in case of a lake cancellation. Around Lake Constance, shipping companies complement the offer: The Bodensee-Schiffsbetriebe (BSB) operates festival cruises with the MS Graf Zeppelin from Constance and Friedrichshafen on selected dates. Depending on the package, a menu before the performance and a midnight soup on the return trip are included; in case of cancellation on the lake, the ship returns immediately, while for indoor continuation in the festival hall, the independent return journey is the responsibility of the guests with house tickets. From Lindau, festival shuttles operate, and the historic paddle steamer Hohentwiel offers an exclusive arrangement with a multi-course festival menu. Swiss partners are also involved: For example, the Bad Horn Hotel & Spa combines the arrival and return with the motor yacht Emily, dinner on board, and lake tickets in top categories; dates are announced seasonally and are often booked out early. Additionally, bus tour operators in Germany, Austria, and Switzerland offer packages with hotel overnight stays, programs around Lake Constance, and guaranteed lake tickets – a comfortable way to combine the opera evening with excursions in the region. Availability varies depending on the date and category; those considering specific dates such as the premiere, the sing-along at the lake, or weekend evenings should book early. In general, arrangements bundle convenience but require some time buffer before and after the performance due to fixed schedules. Individual arrivals can be easily combined with separately purchased tickets – thanks to dense train connections, footpaths, and parking guidance systems.

Bad Weather Rule, Accessibility & Service

The special feature of the performance on the lake is the promise to play outdoors. The decision whether to start, delay, or relocate to the lake is made shortly before the start based on current weather data; guests are informed via loudspeaker announcements. In case of relocation to the festival hall, a distinction is made between house tickets (premium/loge, categories 1 and 2) and lake tickets (categories 3–7): House tickets entitle the holder to see the semi-staged version in the festival hall if less than 90 minutes were played at the lake. Lake tickets are valid only for the lake performance; in case of cancellation or interruption, the communicated refund regulations apply. For people with mobility impairments, targeted improvements have been implemented in recent years: both on the lake stage and in the main hall, there are additional wheelchair spaces, elevators, accessible restrooms, and a tactile guidance system in the foyer. Additionally, a wireless assistive listening system with around 100 receivers is available in the festival hall's performance venues. Service hours: Outside the season, the ticket center is open on weekdays, while during the festival, it is open daily; the box offices at the performance venues usually open at 5:00 PM or one hour before the performance begins. Practical tips for the evening: Since the opera on the lake begins at dusk and is performed without a break, it is worthwhile to allow enough time for arrival, entry, and a snack beforehand. Warm clothing, a seat cushion, and – depending on the weather – a rain poncho increase comfort; umbrellas are prohibited due to sightlines. Those arriving by car should ideally use the signposted large parking lots and follow the guidance system; the main entrance must always remain clear for safety reasons. For visitors who wish to delve deeper into the anniversary year, the free exhibition along the lakeside promenade from June 13 to August 23, 2026, offers a historical tour through eight decades of lake stage designs – perfect for experiencing the magic of La Traviata in the broader context of festival history.

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Reviews

SM

Si Mone

22. October 2025

We traveled for the Freischütz performance on July 27, 2025. It was our first festival in Bregenz. We had bought category 1 tickets. The weather had been very mixed all day, and the forecasts for the evening were not good. However, we were well prepared. Thousands of guests around us, all perfectly equipped for a rain performance; the announcement at a quarter to nine "they are confident that the performance can take place"..... then shortly after 9 PM the cancellation of the open-air event. All guests of categories 1 and 2 were asked to go to the entrances of the festival hall, the majority of guests had to leave. At that time, I was glad to have at least seen the performance, but in hindsight, I would never buy category 1 tickets again if I am not 100% sure that the weather will cooperate. At the performance in the festival hall, the orchestra is expected, and somehow the opera is performed around it. No stage design, no light effects, etc., so it’s actually more of a concert with singing. You can hardly call it an opera performance. The orchestra and the performers gave their best, no question. But for the price of €200 per ticket, I am just disappointed afterwards. Before the performance, we could still admire the stunning stage design, unbelievably beautiful. How dreamy an open-air performance must have been. Unfortunately, we did not get to enjoy that. Today I wonder why the festival management couldn't at least project a recording of a live performance on a screen? We are in the 21st century..... such things should be possible! So we paid for the most expensive category for an ambiance in the festival hall that absolutely does not correspond to price category 1. We did not get to enjoy what the Bregenz Festival is actually all about. I would never do that again!

KG

Kurt Guckelberger

6. October 2025

Despite, or perhaps because of the continuous rain, the "Freischütz" was a fantastic event. The singers, actors, the Vienna Philharmonic, the choir, and especially this time the best stage design ever, compensated us for the bad weather. We've been coming regularly for over ten years and are already looking forward to the next performance.

AB

Aleksandra B

17. August 2025

An unforgettable experience at the Bregenz Festival – "Der Freischütz" I am absolutely thrilled! The production is breathtaking – spectacular stage, impressive music, a piece that not only entertains but is also cleverly and passionately executed. Absolute 5 stars for the piece and content! Practical tips: • Parking situation: Arrive early! It fills up quickly, those who arrive on time will get there relaxed. • Drinks: It's best to have a glass of wine or a cold drink before it starts – during the performance, you don’t want to miss a moment. • Food: Classics like Bockwurst or pretzels are available on-site – nothing special, but solid and fitting to not be hungry before the show. Conclusion: A unique spectacle on Lake Constance – for me, a perfect evening. Clear recommendation!

HT

Heiner Twyrdy

11. August 2025

A truly uplifting experience. A beautiful story with performers who live this opera and take the audience on a wonderful journey for the entire 2 hours. Music and singing at their finest and cheerful dialogues make the visit unforgettable. We watched the performance twice for this reason.

SO

Sonnyfish

3. August 2025

A truly impressive evening on July 18, 2025, at the Freischütz. The weather was dreamy. The location was great. The acting performances were brilliant. I am shockingly in love with the devil! (I can’t believe I’m saying this 🤭) The only downside: the physical separation of the orchestra and the actors. Live music does so much for you, but here it unfortunately didn't come across well due to the separation. Overall, it was really worth it!! 😍